Once again, the Desert Storm team has crafted an album which undoubtedly will please Hot 97, Direct Effect, and 106th & Park. YouвЂ™ll hear Rick Rock on вЂњNot Give a Fuck,вЂќ Tone & Poke on вЂњDamnвЂќ and вЂњCall Me,вЂќ Just Blaze on вЂњCanвЂ™t Let You GoвЂќ and Kanye West on вЂњMy Life.вЂќ Of course, it wouldnвЂ™t be a Fabolous album without Clue & Duro putting in work, and they do it quite nicely on the piano based вЂњUp On ThingsвЂќ as well as вЂњInto YouвЂќ featuring Ashanti. And on his new album вЂњStreet Dreams,вЂќ Fabolous is paired with the kind of producers who make even unknowns into household names.

It may be monotone, but itвЂ™s polished to a shine brighter than The RockвЂ™s bald head.

To FabвЂ™s credit, none of them can really hold a candle to his flow. His success has spawned scores of imitators trying to come up the way he did through word of mouth and street tapes. Where Mase left off, Fabolous took over вЂ“ and thereвЂ™s no denying that in terms of commercial marketability and influence, F-A-B is a heavyweight. ItвЂ™s interesting to note how every few years in hip-hop, another basically monotone rapper picks up the microphone and claims the throne in pop culture. While Clue had been putting artists on the map for years with вЂњex-Clue-sivesвЂќ all over New York City, the F-A-B brough mixtapes to the mainstream with a platinum debut including the smash hits вЂњCanвЂ™t Deny ItвЂќ featuring Nate Dogg and вЂњYoungвЂ™n (Holla Back).вЂќ For the last quarter of 2001 and the better part of 2002, it was hard to turn on any broadcasted hip-hop mix (TV or radio) without hearing his unwavering voice flowing over a booming beat. Long after the phrase вЂњghetto fabulousвЂќ had already crossed over from the hip-hop underground to the pop culture mainstream, DJ Clue gave people amnesia and made them forget anybody besides Fabolous even originated the saying.

Fabolous make me better instrumental